I have a problem: one of the main characters of my new novel-in-progress is shy, quiet, tongue-tied. She’s also passionate, secretly sensual, and fiercely dedicated to what she cares about. But how do I get her to speak? What does … Read more
… and not let you go until you see Polly and Odd down the road. I’ll tell you what I mean in a second. But first, a look at the book coming to the world. Editor Andrew Karre blogged a while … Read more
Drowning Instinct by Ilsa Bick takes hold of you and doesn’t let you go until the very last page. I’m proof: I read it in two sittings. Even knowing that Liam would be up at 7:00, I stayed up till … Read more
No Crystal Stair by Vaunda Micheaux Nelson is yet another proof that Carolrhoda Lab is pushing boundaries in diverse ways. Here’s a description of this “documentary novel of the life and work of Lewis Michaux, Harlem bookseller”:
I know, I know, self-publishing e-books is all the rage. Who wouldn’t like a bigger cut of their profits? Who wouldn’t like to see their book “out there” as quickly as possible? Who wouldn’t like to be the next success … Read more
You don’t have to be old and bearded to be sage. In fact, my editor, Andrew Karre, is living proof that you don’t have to be either to see things that others miss. In a recent piece for Hunger Mountain… Read more
A while back agent-turned-author Nathan Bransford did a “Five Openings to Avoid” post that takes a jab at some of the obvious and overused openings that circulate, especially among novice writers.
You know, the story that starts with a character … Read more
I know, isn’t it gorgeous? And when you read The Knife and the Butterfly in February of 2012, you’ll see just how perfectly the cover fits the novel. Knife… or butterfly? It’s all in how you look at things.